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Poster Design © L.A.Conyers

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England, 1912.
Thirteen year old Ronnie Winslow is expelled from the Royal Naval College
for allegedly stealing a five shilling postal order from a fellow cadet.
His father believes his son is innocent of the charges and begins a long
attack against the state, hoping to clear his son's name and honour. When
the case reaches the House of Commons, this tiny incident becomes an issue
of national importance with far reaching effects on the wealth, health
and happiness of the Winslow family.
Based on a true story, the play was turned into a film in 1950 starring
screen legends Robert Donat and Margaret Leighton and more recently in
1999 starring Nigel Hawthorne.
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The Harrogate Advertiser
Harrogate Dramatic Society's proud and successful history continues
into the new century with a production that positively gleams with
star quality.
The opener to the Society's 55th season is not only visually stunning
- it has clarity, style and cohesion too, with all the main parts
impressively secure.
The cameo roles make the sort of impression one associates with
the repertory companies of old, which is some indication of the
dedication these amateur players consistently bring to their work.
Terence Rattigan's play starts in 1912 and the story, though a true
one, may seem at face value a little dated.
The action centres on a 13-year-old boy and the theft of a five
shilling postal order. The resonance of the drama and its modernity
comes as we see the entire Winslow family count the cost of being
associated with a "cause celebre".
In his most impressive performance to date, Paul Dunstan is totally
credible as the plain speaking Arthur Winslow - the stern but fair
father, determined to clear his son's name, whatever it takes.
The obvious decline in vigour as the strain of the case develops
is both convinving and moving.
Sheila McIntosh as his wife, Grace is at her finest when she questions
the sacrifices being made but her silent reactions at key moments
are equally admirable.
Young Matthew Mather does well too, as Ronnie, particularly during
the pivotal interrogation scene when the voice takes on a shriller
quality as the pressure is applied.
And Stella Chatterton's confident reading of a complex "new
woman" provides many entertaining historical highlights.
Ruth Badley.
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