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The Harrogate Advertiser
The best of shows, the worst of times
Some luminous performances helped this fast moving
study of the elusive search for happiness deliver a powerful opening
night punch.
Ayckbourn uses multiple time-shifts in this play to continually
shed new light on the frequent meetings of the Stratton family,
all in the slightly bizarre setting of the Essa de Calvi restaurant.
In a style reminiscent of J. B. Priestley's Time plays, the action
starts with the family assembled around the table for the ridiculously
snobbish mother, Laura's, birthday.
A frightening character, convincingly played by Jennifer Cowling,
Laura is a cold woman, dismissive of everyone except her younger
son, Adam.
The pragmatic but kind-hearted father, Gerry, skilfully played by
Alan Harwood, struggles with his wife's misanthropy while trying
his best to make Adam's new girlfriend, Maureen, feel welcome.
Meanwhile, the third couple at the table, older son Glyn and his
wife Stephanie, are still trying to get over some painful marital
crisis.
Lucy Beckwith delivered a terrific study in vulnerability on Wednesday
as the plain-spoken and fun-loving hairdresser Maureen. Michael
Crewe complemented her well as the idealistic boyfriend Adam, smitten
by her and embarrased by her in equal measure.
As the action starts to jump between past and future, betrothals
and break-ups and life and death, apparently throw-away lines start
to take on a prophetic power.
We see Glyn, an assured performance by Lawrence Conyers, following
his mother's example in selfishness in his calm infidelity to his
wife, Stephanie.
Victim becomes victor however as Stephanie, a sympathetic study
by Christine Norton, takes control and finds her own happiness.
But this is an Ayckbourn play, and that means that among the anguish
and the misanthropy, rejection and infidelity, humour is never far
away.
Cue Paul Dunstan who played five different waiters of dubious ethnic
origin but good singing voices, with style.
With an impressive range of facial expressions, bizarre wigs and
accents, his characters provide vital light relief at some of the
play's darker moments.
The play ends back at the original dinner party, with a speech full
of optimism, by Gerry Stratton, undermined by the audiences knowledge
of what is to come.
"There's not many times in your life that you can say to yourself
- At this moment, I am happy" he says. " I would like
it if this could be one of those times"
And for this member of the audience, strangely enough, it was.
Jim Jack.
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